{"id":91,"date":"2021-03-27T18:46:20","date_gmt":"2021-03-27T17:46:20","guid":{"rendered":"https:\/\/studiogmlr.fr\/?p=91"},"modified":"2023-01-31T16:50:00","modified_gmt":"2023-01-31T15:50:00","slug":"86-db-highway-_emmanuel-da-costa","status":"publish","type":"post","link":"https:\/\/studiogmlr.fr\/?p=91","title":{"rendered":"86 db Highway _EMMANUEL\u2009DA\u2009COSTA"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>Dans\u2009une\u2009approche\u2009documentaire\u2009\u2013\u2009c\u2019est\u2009\u00e0\u2009dire,\u2009en\u2009partant\u2009du\u2009r\u00e9el\u2009tangible,\u2009puis en l\u2019employant comme une forme d\u2019exploration et d\u2019exp\u00e9rimentation du monde \u2013\u2009j\u2019ai\u2009imagin\u00e9\u2009un\u2009dispositif\u2009qui\u2009confronte\u2009le\u2009regardeur-auditeur\u2009\u00e0\u2009la\u2009violence\u2009des\u2009 \u00abbruits\u00bb autoroutiers et interroge les rapports entre les paysages techniques<br>et les paysages organiques qu\u2019ils perturbent.<br>L\u2019installation s\u2019articule autour du territoire o\u00f9 elle est con\u00e7ue et s\u2019en nourrit n\u00e9cessairement. Ici, en Belgique, le r\u00e9seau autoroutier sillonne et dessine dans le paysage un mouvement tentaculaire et sans frein. Ce dispositif documentaire et\u2009po\u00e9tique\u2009\u2013\u2009o\u00f9\u2009se\u2009m\u00ealent\u2009les\u2009r\u00e2les\u2009des\u2009moteurs,\u2009la\u2009c\u00e9l\u00e9rit\u00e9\u2009des\u2009voitures\u2009et\u2009le\u2009 crissement\u2009des\u2009pneus\u2009sur\u2009le\u2009macadam\u2009\u2013\u2009tente\u2009de\u2009t\u00e9moigner\u2009de\u2009cette\u2009vision\u2009du\u2009 monde.\u2009Je\u2009prends\u2009l\u2019automobile\u2009comme\u2009espace\u2009de\u2009diffusion\u2009sonore\u2009et\u2009visuelle.\u2009<br>Le spectateur est invit\u00e9 \u00e0 s\u2019y installer.<\/p>\n\n\n\n<p><br>Emmanuel Da Costa (ARTS2, 2e) pratique l\u2019installation audio-visuelle, la photographie et la sc\u00e9nographie. Il questionne le document, la v\u00e9racit\u00e9 des images et des r\u00e9cits du monde de fa\u00e7on empirique et politique<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans\u2009une\u2009approche\u2009documentaire\u2009\u2013\u2009c\u2019est\u2009\u00e0\u2009dire,\u2009en\u2009partant\u2009du\u2009r\u00e9el\u2009tangible,\u2009puis en l\u2019employant comme une forme d\u2019exploration et d\u2019exp\u00e9rimentation du monde \u2013\u2009j\u2019ai\u2009imagin\u00e9\u2009un\u2009dispositif\u2009qui\u2009confronte\u2009le\u2009regardeur-auditeur\u2009\u00e0\u2009la\u2009violence\u2009des\u2009 \u00abbruits\u00bb autoroutiers et interroge les rapports entre les paysages techniqueset les paysages organiques qu\u2019ils perturbent.L\u2019installation s\u2019articule autour du territoire o\u00f9 elle est con\u00e7ue et s\u2019en nourrit n\u00e9cessairement. Ici, en Belgique, le r\u00e9seau autoroutier sillonne et dessine dans le paysage un mouvement tentaculaire et [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":280,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-91","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-corps-sonores"],"_links":{"self":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91"}],"version-history":[{"count":1,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/91\/revisions"}],"predecessor-version":[{"id":92,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/91\/revisions\/92"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/media\/280"}],"wp:attachment":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}