{"id":85,"date":"2021-03-27T18:38:09","date_gmt":"2021-03-27T17:38:09","guid":{"rendered":"https:\/\/studiogmlr.fr\/?p=85"},"modified":"2023-02-07T17:08:43","modified_gmt":"2023-02-07T16:08:43","slug":"remanence-lea-roger","status":"publish","type":"post","link":"https:\/\/studiogmlr.fr\/?p=85","title":{"rendered":"R\u00e9manence-L\u00c9A ROGER"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>\u00ab\u2009Un\u2009son\u2009ne\u2009peut\u2009pas\u2009tenir\u2009debout\u2009\u00bb\u2009affirmait\u2009John\u2009Cage.\u2009Cela\u2009m\u2019inspire\u2009plusieurs\u2009 questions :\u2009un\u2009son\u2009peut-il\u2009se\u2009dresser\u2009devant\u2009moi\u2009\u00e0\u2009la\u2009verticale\u2009?\u2009A-t-il\u2009une\u2009mat\u00e9rialit\u00e9\u2009?\u2009Dans\u2009cette\u2009installation,\u2009je\u2009formalise\u2009ces\u2009interrogations.\u2009Le\u2009son\u2009n\u2019est\u2009en\u2009effet pas palpable, c\u2019est comme une pr\u00e9sence invisible qui n\u2019existe que par mon\u2009\u00e9coute.\u2009Mais\u2009si\u2009je\u2009ne\u2009l\u2019entends\u2009plus,\u2009alors\u2009que\u2009reste-il\u2009de\u2009son\u2009existence\u2009?\u2009<br>S\u2019il laisse les indices de sa pr\u00e9sence, tel un fant\u00f4me, ce serait comme une r\u00e9manence,\u2009une\u2009lumi\u00e8re\u2009qui\u2009scintille,\u2009une\u2009brise\u2009qui\u2009m\u2019effleure.\u2009Je\u2009pourrais\u2009alors\u2009contempler le dessin lumineux, \u00e9ph\u00e9m\u00e8re et toujours mouvant des traces invisibles\u2009que\u2009l\u2019on\u2009laisse\u2009lorsqu\u2019on\u2009se\u2009d\u00e9place,\u2009des\u2009pas\u2009amplifi\u00e9s\u2009;\u2009un\u2009dessin\u2009 qui rendrait compte de l\u2019activit\u00e9 du lieu, comme une partition topographique de la polyphonie de nos d\u00e9placements.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>L\u00e9a Roger (ARTS2, 2e) est une musicienne exp\u00e9rimentale et une improvisatrice (harpe celtique, dispositif \u00e9lectro-acoustique). Elle \u00e9tudie la composition acousmatique. Ses recherches portent sur la r\u00e9sonance, la r\u00e9p\u00e9tition et les ph\u00e9nom\u00e8nes de diffraction de la lumi\u00e8re et du son.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Remanence, Lea Roger, 2021\" src=\"https:\/\/player.vimeo.com\/video\/737547615?dnt=1&amp;app_id=122963\" width=\"600\" height=\"338\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/vimeo.com\/737547615\">Remanence, Lea Roger, 2021<\/a> from <a href=\"https:\/\/vimeo.com\/user119823143\">Roger L\u00e9a<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u2009Un\u2009son\u2009ne\u2009peut\u2009pas\u2009tenir\u2009debout\u2009\u00bb\u2009affirmait\u2009John\u2009Cage.\u2009Cela\u2009m\u2019inspire\u2009plusieurs\u2009 questions :\u2009un\u2009son\u2009peut-il\u2009se\u2009dresser\u2009devant\u2009moi\u2009\u00e0\u2009la\u2009verticale\u2009?\u2009A-t-il\u2009une\u2009mat\u00e9rialit\u00e9\u2009?\u2009Dans\u2009cette\u2009installation,\u2009je\u2009formalise\u2009ces\u2009interrogations.\u2009Le\u2009son\u2009n\u2019est\u2009en\u2009effet pas palpable, c\u2019est comme une pr\u00e9sence invisible qui n\u2019existe que par mon\u2009\u00e9coute.\u2009Mais\u2009si\u2009je\u2009ne\u2009l\u2019entends\u2009plus,\u2009alors\u2009que\u2009reste-il\u2009de\u2009son\u2009existence\u2009?\u2009S\u2019il laisse les indices de sa pr\u00e9sence, tel un fant\u00f4me, ce serait comme une r\u00e9manence,\u2009une\u2009lumi\u00e8re\u2009qui\u2009scintille,\u2009une\u2009brise\u2009qui\u2009m\u2019effleure.\u2009Je\u2009pourrais\u2009alors\u2009contempler le dessin lumineux, \u00e9ph\u00e9m\u00e8re et toujours mouvant des traces invisibles\u2009que\u2009l\u2019on\u2009laisse\u2009lorsqu\u2019on\u2009se\u2009d\u00e9place,\u2009des\u2009pas\u2009amplifi\u00e9s\u2009;\u2009un\u2009dessin\u2009 qui rendrait compte de l\u2019activit\u00e9 du lieu, comme une partition topographique de la polyphonie de nos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-85","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-corps-sonores"],"_links":{"self":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85"}],"version-history":[{"count":2,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/85\/revisions"}],"predecessor-version":[{"id":344,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/85\/revisions\/344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/media\/345"}],"wp:attachment":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}