{"id":111,"date":"2021-03-27T20:25:07","date_gmt":"2021-03-27T19:25:07","guid":{"rendered":"https:\/\/studiogmlr.fr\/?p=111"},"modified":"2023-02-05T17:32:26","modified_gmt":"2023-02-05T16:32:26","slug":"boulevard-sonore-_-thibault-danhaive","status":"publish","type":"post","link":"https:\/\/studiogmlr.fr\/?p=111","title":{"rendered":"Boulevard sonore _                                     THIBAULT\u2009DANHAIVE"},"content":{"rendered":"\n<p>Boulevard sonore (installation sonore)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/studiogmlr.fr\/wp-content\/uploads\/2021\/04\/LAzer.wav\"><\/audio><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Dans\u2009notre\u2009soci\u00e9t\u00e9\u2009qui\u2009pr\u00f4ne\u2009la\u2009croissance\u2009et\u2009la\u2009vitesse,\u2009nous\u2009percevons\u2009chaque jour des sonorit\u00e9s peu naturelles. Parmi celles-ci, il en existe que l\u2019on\u2009peut\u2009relier\u2009\u00e0\u2009un\u2009effet\u2009d\u00e9couvert\u2009en\u20091842\u2009par\u2009Christian\u2009Doppler\u2009dans\u2009le\u2009domaine astrologique, puis observ\u00e9 dans le domaine sonore par Christophe Buys Ballot en 1845 gr\u00e2ce \u00e0 l\u2019\u00e9coute en ext\u00e9rieur d\u2019une note calibr\u00e9e jou\u00e9e par des\u2009musiciens\u2009\u00e0\u2009bord\u2009d\u2019un\u2009train :\u2009lorsque\u2009le\u2009convoi\u2009s\u2019approche\u2009de\u2009l\u2019auditeur,\u2009la\u2009note\u2009jou\u00e9e\u2009est\u2009per\u00e7ue\u2009\u00e0\u2009une\u2009valeur\u2009de\u2009fr\u00e9quence\u2009plus\u2009haute\u2009;\u2009lorsqu\u2019il\u2009s\u2019\u00e9loigne\u2009<br>la fr\u00e9quence entendue est plus grave. Ces caract\u00e9ristiques fr\u00e9quentielles sont les indicateurs de mouvements physiques.<br>\u00c0 l\u2019aide de synth\u00e9tiseurs, j\u2019ai exp\u00e9riment\u00e9 et reproduit des modulations similaires \u00e0 cet effet et cr\u00e9\u00e9 ainsi des simulations de d\u00e9placements d\u2019objets sonores immat\u00e9riels. L\u2019ensemble de ces \u00e9chantillons t\u00e9moignant de la vitesse se retrouve pr\u00e9sent\u00e9 sous forme d\u2019une composition dynamique et un peu chaotique. L\u2019exp\u00e9rience est optimale lorsqu\u2019on se situe \u00e0 mi-chemin entre<br>les deux enceintes.<\/p>\n\n\n\n<p><br>Thibault Danhaive (ARTS2, 4e) travaille dans de multiples domaines, tant la peinture, la sculpture bricolage que le son. La science, la po\u00e9sie et l\u2019esth\u00e9tique du bricolage sont les piliers de ses cr\u00e9ations.<\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boulevard sonore (installation sonore) Dans\u2009notre\u2009soci\u00e9t\u00e9\u2009qui\u2009pr\u00f4ne\u2009la\u2009croissance\u2009et\u2009la\u2009vitesse,\u2009nous\u2009percevons\u2009chaque jour des sonorit\u00e9s peu naturelles. Parmi celles-ci, il en existe que l\u2019on\u2009peut\u2009relier\u2009\u00e0\u2009un\u2009effet\u2009d\u00e9couvert\u2009en\u20091842\u2009par\u2009Christian\u2009Doppler\u2009dans\u2009le\u2009domaine astrologique, puis observ\u00e9 dans le domaine sonore par Christophe Buys Ballot en 1845 gr\u00e2ce \u00e0 l\u2019\u00e9coute en ext\u00e9rieur d\u2019une note calibr\u00e9e jou\u00e9e par des\u2009musiciens\u2009\u00e0\u2009bord\u2009d\u2019un\u2009train :\u2009lorsque\u2009le\u2009convoi\u2009s\u2019approche\u2009de\u2009l\u2019auditeur,\u2009la\u2009note\u2009jou\u00e9e\u2009est\u2009per\u00e7ue\u2009\u00e0\u2009une\u2009valeur\u2009de\u2009fr\u00e9quence\u2009plus\u2009haute\u2009;\u2009lorsqu\u2019il\u2009s\u2019\u00e9loigne\u2009la fr\u00e9quence entendue est plus grave. Ces caract\u00e9ristiques fr\u00e9quentielles sont les indicateurs de mouvements [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-corps-sonores"],"_links":{"self":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=111"}],"version-history":[{"count":5,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/111\/revisions"}],"predecessor-version":[{"id":316,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/111\/revisions\/316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/media\/315"}],"wp:attachment":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}