{"id":101,"date":"2021-03-27T20:10:09","date_gmt":"2021-03-27T19:10:09","guid":{"rendered":"https:\/\/studiogmlr.fr\/?p=101"},"modified":"2021-03-29T15:44:43","modified_gmt":"2021-03-29T13:44:43","slug":"quand-le-corps-ecrit-_emma%e2%80%89landet-lacoste","status":"publish","type":"post","link":"https:\/\/studiogmlr.fr\/?p=101","title":{"rendered":"Quand le corps \u00e9crit _EMMA\u2009LANDET-LACOSTE"},"content":{"rendered":"\n<p>Quand le corps \u00e9crit (performance chor\u00e9graphi\u00e9e)<\/p>\n\n\n\n<p>Si le son a besoin de temps, il a \u00e9galement besoin d\u2019espace et d\u2019air. Et si la danse, elle aussi, n\u00e9cessite du temps, elle s\u2019interroge \u00e9galement sur la mani\u00e8re d\u2019appr\u00e9hender un espace. Cette pi\u00e8ce, sous forme de performance, est un questionnement sur la mani\u00e8re dont les mouvements d\u2019un corps peuvent \u00eatre r\u00e9gis par un espace donn\u00e9. Quel impact ce corps aura -t-il sur cet espace, sur cette\u2009mati\u00e8re,\u2009ou\u2009cette\u2009non-mati\u00e8re\u2009?\u2009Ici,\u2009au\u2009lieu\u2009de\u2009cr\u00e9er\u2009une\u2009palette\u2009de\u2009couleurs,\u2009je cr\u00e9e une palette sonore. Le but est de cr\u00e9er une r\u00e9action en cha\u00eene dans un espace ou tout d\u00e9pend de tout.<\/p>\n\n\n\n<p><br>Emma Landet-Lacoste (ES\u00c4, 5e) danse depuis qu\u2019elle est enfant. La vid\u00e9o, la performance et la cr\u00e9ation sonore sont au centre de ses pratiques, dans l\u2019\u00e9cole comme au dehors (collaborations avec le chor\u00e9graphe Sylvain Groud, le vid\u00e9aste Homard Payette et la compagnie de danse Dyptik).<\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quand le corps \u00e9crit (performance chor\u00e9graphi\u00e9e) Si le son a besoin de temps, il a \u00e9galement besoin d\u2019espace et d\u2019air. Et si la danse, elle aussi, n\u00e9cessite du temps, elle s\u2019interroge \u00e9galement sur la mani\u00e8re d\u2019appr\u00e9hender un espace. Cette pi\u00e8ce, sous forme de performance, est un questionnement sur la mani\u00e8re dont les mouvements d\u2019un corps [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":71,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-corps-sonores"],"_links":{"self":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101"}],"version-history":[{"count":1,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions"}],"predecessor-version":[{"id":102,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions\/102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=\/wp\/v2\/media\/71"}],"wp:attachment":[{"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiogmlr.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}